I’ve already looked at the way key locations from Exploring Arthur Ransome’s Lake District are distributed; almost all of them are in the core area around Coniston Water and Windermere. This raises big question marks over the outliers. Some of them are fairly easily disposed of (see near the end of The ‘Real’ Ransome Country).
Two locations which deserve a bit more attention are Miterdale – which I’ll come back to – and Derwent Water, specifically Friar’s Crag.
Friar’s Crag is often cited as the model for the Peak of Darien, which appears in the very early pages of Swallows and Amazons. From here the Swallows gaze out down the lake and see the island for the first time. It gets its name from a sonnet by Keats, of which the final four lines are quoted at the head of Chapter 1. (Read the full poem, On First Looking Into Chapman’s Homer, here). The lines refer to the Spanish conquistador Hernán Cortez (or Cortés), and imply that he and his men were the first Europeans to see the eastern shores of the Pacific Ocean. (Darien is a region, still wild and sparsely inhabited, on the borders of Panama and Colombia).
This is almost certainly wrong; Cortez may never have seen the Pacific at all, and the true credit for this ‘discovery’ goes to the expedition led by Vasco Núñez de Balboa. It’s quite possible that Keats simply made a mistake. But the point of the lines is that Columbus and many navigators who followed were looking for a short route to India and the ‘Indies’, which we now know lie to the west of the Pacific. It took some time for Europeans to realise that there were in fact two great oceans, not one, to the west, separated by the Americas. Keats’s poem hints at a first dawning realisation of this (‘a wild surmise’) – its magnitude underlined by the two lines preceding the ones which Ransome quotes:
“Then felt I like some watcher of the skies
“When a new planet swims into his ken”
Clearly the Swallows, or at least one of them (Titty ‘had heard the sonnet read aloud at school’), knew the poem and linked its sense of vast prospects opening up with the view down the lake to the island.
The ‘Peak of Darien’ in the story is one of the promontories enclosing the bay below Holly Howe (the ‘southern and higher’ one). It’s largely covered in ‘pinewoods’ but at the end is ‘a small open space of bare rock and heather’ from where it drops, ‘like a cliff, into the lake’.
None of this is very remarkable, and there are many promontories on Coniston and Windermere which more or less fit the bill. Why, then, is it often stated that the model for Darien is Friar’s Crag?
One reason – and quite a convincing one, on the face of it – is that Ransome actually sent a postcard of Friar’s Crag to the artist, Clifford Webb, who illustrated early editions of the book. I think, however, that this overlooks the fact that Friar’s Crag is one of the best-known landmarks in the Lakes and postcards were easily available.
In later editions of Swallows and Amazons, Webb’s illustrations were replaced with Ransome’s own, and the frontispiece, titled ‘Dispatches’, shows his own interpretation of Darien. The foreground may look superficially like Friar’s Crag, but not convincingly. The point of Friar’s Crag is actually quite low and certainly doesn’t drop ‘like a cliff’.
The second reason for the association between Friar’s Crag and Darien is that it was used as such in the 1974 film of Swallows and Amazons. Sophie Neville, who played Titty in the film, records in her ebook, The Secrets of Filming Swallows and Amazons, that Ransome’s widow Evgenia told the film’s producer, Richard Pilbrow, that the original of Darien is on Windermere, near Waterhead. This would certainly fit with the fact that, at the time he was writing the book, Ransome and Evgenia were living at Low Ludderburn and sailing regularly on Windermere, and probably points to Gale Naze Crag.
However, Pilbrow chose to use Friar’s Crag instead. One reason for this may well have been that it would be much easier to access with a film crew than most of the alternatives. Visit today and you’ll find a wide, easy track leading almost all the way to the point of the crag.
In any case, the most important thing about the Peak of Darien is not the detail of the promontory itself but the view it provides. In fact, the view from Friar’s Crag is used for just this purpose in the film, and it provides quite a thrilling moment, with a nice music sting, redolent of ‘wild surmise’. But it’s all wrong. The view in Ransome’s ‘Dispatches’ drawing looks nothing like the view from Friar’s Crag, and there’s also a very clear statement in that first chapter that ‘the island lay about a mile away towards the lower, southern end of the lake’.
Windermere and Coniston Water both have lower hills towards their southern ends. Derwent Water doesn’t. In fact it doesn’t really have a low end at all; the River Derwent escapes through a low gap to the northwest, not Bassenthwaite Lake, but views straight down the lake are dominated by the bulk of Skiddaw, one of the Lake District’s major peaks.
The celebrated view from Friar’s Crag is in the other direction, to the head of the lake, taking in the craggy ‘Jaws’ of Borrowdale and beyond them the fells rising towards the high core around Scafell Pike (although the Pike itself is barely visible).
The other problem with Friar’s Crag today is that it’s an immensely popular spot and you’ll be lucky, unless you go very early in the morning, to have it to yourself. It’s worth visiting, of course –and if you’re in Keswick it couldn’t be easier – but it isn’t the Peak of Darien.