NB: As the maps are, of course, copyright, I can’t reproduce any of them here and can only hope that readers have their own copies of the books to refer to.
Looking closely at maps of the ‘lake country’ in Ransome’s books throws up some interesting observations. In terms of published maps, there are four main sources: Swallows and Amazons, Swallowdale, Winter Holiday, and The Picts and the Martyrs. The maps in Pigeon Post cover a much smaller area – the valley of the Amazon and High Topps.
Perspectives on perspective
A note on the map in Winter Holiday, attributed to Capt. Nancy Blackett, warns that, ‘Future explorers must not rely on this map in calculating distances.’ In fact, like most of the others, it doesn’t entirely look like a ‘proper’ map at all. The question of what constitutes a proper map is a huge one, and though fascinating I can’t go into it here in any depth. However, what is obvious from even a glance at the Winter Holiday map is that, while most of it looks like an overhead or plan view, the area at the top – including ‘Mountains’ and ‘High Greenland’ – looks more like a perspective drawing.
We can say the same of most of the others. The lake is always drawn more or less as an aerial view, even if the lighthouse tree on Wild Cat island tends to appear in profile. However, in the Swallowdale map, Kanchenjunga is seen as if from below. In Spurrier’s map for Swallows and Amazons, almost everything bar the lake itself appears as if we are looking from some high point away in the west. Only the map in The Picts and the Martyrs looks as if it’s all drawn from an overhead view – and even here, a few features, mostly houses, are shown in elevation, not in plan.
There’s nothing intrinsically ‘wrong’ with this mixing of plan and elevation views and something similar can be seen in many classic maps, especially ones which predate the Ordnance Survey. They also invite comparison with another, more recent, Lakeland icon – the Pictorial Guide to the Lakeland Fells of Alfred Wainwright (published between 1955 and 1966). In this, while each chapter (one per fell) includes a plan-view map, the illustration for each individual route is a hybrid map/elevation drawing. This malleable perspective has been widely emulated since.
As Wainwright’s guides show, this kind of perspective drawing can be extremely useful, and the Ransome maps also demonstrate that it can be both charming and evocative. However, as Nancy says, it makes the maps rather unreliable in ‘calculating distances’.
However, if we are going to make the effort, then the map in The Picts and the Martyrs would appear to be the most reliable. It also comes from the last of the completed ‘lake country’ books, which may suggest that the landscape it portrays is the most – for want of a better word – mature.
On the other hand, it is incomplete. The country east of the lake, including High Greenland, is almost entirely missing, and so is the summit of Kanchenjunga – although by cross-referencing to the map in Pigeon Post we can get a sense that this isn’t far outside the confines of this map.
The changing lake
There’s another problem too. I’ve said that the one element which appears to be drawn in plan in all these maps is the lake. However, it changes shape. Clearly Ransome didn’t do what he had his explorers do in Secret Water, and make tracings of a base map to which detail could then be added over time.
The closest agreement in terms of the shape and proportions of the lake is between the maps in Swallows and Amazons (even though this is Spurrier, not Ransome) and Winter Holiday. In Swallowdale the lake is considerably broader in proportion to its length. The Picts and the Martyrs map makes it equally wide around Rio Bay but the difference is less marked elsewhere. The Beckfoot promontory also shifts position quite markedly; in Swallowdale it’s much farther north.
These variations, along with others already noted in Part 1, mean that even deriving the length of the lake, let alone extrapolating from this to other features, is full of pitfalls. But we took the plunge in Part 1 and concluded that it is about as long as Windermere, i.e. approx. 10 miles/16km. Based on this, is there anything we can say about the scale of other features?
Well, there is some other firm data, not about lengths but about heights. The map in Pigeon Post gives the height of Kanchenjunga as 2600 feet. This agrees very well with the height of Coniston Old Man, today given as 803m: 2634ft in old money. Of course there’s more to be said about whether the Old Man is the sole model and there’s quite a bit about that in my book, but that doesn’t really concern us here.
Apart from this and a few other heights on the Pigeon Post map, Ransome is generally very careful not to specify measurements exactly. (It’s different in the East Anglian books, but then they use the real landscape, not an imaginary one). For example, as noted in Part 1, Wild Cat Island is ‘about a mile’ from Darien. Even before this, very early in Swallows and Amazons, he mentions looking out ‘…over mile upon mile of water’.
The same formula recurs in the first description of the Swallowdale moors: ‘mile upon mile of green and purple moorland’.
This stretch of moorland appears in the maps in both Swallowdale and The Picts and the Martyrs. In both, it appears about the same length in relation to the lake: from Swallowdale to the descent into the Amazon valley is about 60% of the lake’s length, which would make this about 6 miles/10km. And of course the moors don’t end immediately south of Swallowdale so their overall length is even greater.
This immediately casts doubt on the claims that some people have made that the Swallowdale moors are based on the Blawith Fells, west of Coniston Water. These aren’t much more than 5km or 3 miles long. The scale of the maps fits much better with the upland east of Coniston Water; from Brock Barrow, just above Nibthwaite, to the road at High Cross, a trek of at least 8km/5 miles is certainly possible. Today, much of this land is enveloped in conifers as part of Grizedale Forest, but far more of it was open moor when Ransome came here as a boy and as a young man. For more about this, see Mile upon Mile of green and purple moorland.
Even so, 8km is not 10km. But maybe this is the place to remind ourselves that the ‘lake country’ exists in the imagination, and that not only are Ransome’s main protagonists children, many of his formative experiences, especially on land, took place when he was a child too. (Sailing, for the most part, came a little later). There is a difference in the way that children perceive the scale of the world, especially when it serves as a seedbed for the imagination.
We should also remember that the Swallows and Amazons are almost entirely reliant on small sailing vessels or their own feet to get around. Bicycles figure in Pigeon Post and cars and buses crop up occasionally, while trains are how they get to and from the lake country. Ransome, as child and young man, was in the same position. It would take well under an hour to get from, say, Nibthwaite to Ambleside by car. On foot, it would be at least a half-day’s walk even for an adult.
And really this is the key to answering our question: How big is Ransome Country? It’s the sort of area that a group of children can get around under their own steam. And we should remember that at the start of Swallows and Amazons, Roger is just seven. In Swallowdale, he is eight. This makes the trek across the moors take on a slightly different magnitude, not to mention the return trip by Roger and Titty alone – and she is no more than ten.
We can say, baldly, that the lake is about 10 miles long. We can infer that the country on either side spreads rather less than ten miles from Kanchenjunga to High Greenland. But the mere mention of Kanchenjunga and High Greenland takes us to a different dimension. The lake is ‘as big as a small sea’ (Swallows and Amazons, Chapter 1) – or a very large one, since it also has Arctic and Antarctic regions, and in Winter Holiday there’s a North Pole to be found.
On the maps, the lake country is small enough. In the imagination it’s far, far bigger.